Whether you get to be a “producer” hinges on your ability to raise the monies you need in order to produce your pictures. You can acquire financing via a studio, private investors, production incentives, the pre-sale of all or a portion of your picture’s foreign territories, and by securing bank financing. Some of the aforementioned…

Producing is a daunting task that requires collaboration among producers. You may have an idea for a screenplay but may want to join forces with a producer that has access to talent, a director, an agency, or money. You may align yourself with another producer in a variety of ways including the following. Partnerships A…

You will need to enter into an “Option / Purchase Agreement” prior to developing, shopping, and producing a screenplay based upon a pre-existing literary property whose copyright you do not own and which is not in the public domain. During the term of the Option/Purchase Agreement, you will have the exclusive right, the “option,” to…

While original screenplays require no legal counsel, there are many instances where you will need to acquire rights prior to developing the idea into a screenplay. In addition to the examples mentioned in the previous screenplay post, here are some additional common types of screenplays that would require legal agreements. “Private Persons” You cannot develop…

The producing process starts with the seed of an idea: a concept borne of the producer’s mind, pitched to the producer by a third party, or triggered by an outside stimulus, such as a writer’s pitch, pre-existing literary property (novel, play, news story, etc.), or life story. Whether you need legal counsel and/or must stop…